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KONCERTTILBUD
DEN
UNGE RUSSISKE PIANIST
VIOLETTA
KHACHIKIAN
FÅ EN KONCERT HOS JER MED
DENNE
FREMRAGENDE MUSIKER!!
Violetta Khachikian er 26 år gammel og studerer i solistklassen
ved Rimsky- Korsakov konservatoriet i Sankt Petersburghos Prof. Tatiana
Zagorovskaya.
Violetta har vundet adskillige priser ved nationale
og internationale klaverkonkurrencer, bl. a. 3. pris ved Maj Lind
Konkurrencen i Helsinki 2007 og 4. pris samme år ved Scottish
International Piano- Competition.
Violetta har givet talrige solorecitals i Rusland og Tyskland, og hun
har optrådt som solist med dirigenter som James Loughran, Leif
Segerstam og Alexander Titov.
I februar 2009 gav Violetta sine første koncerter i Danmark- det
blev en kæmpesucces!
Og nu har I muligheden for at være blandt dem, der får
glæde af hendes fantastiske spil
næste gang hun kommer til landet- i den kommende sæson!
Anbefaling:
"Korsør
Koncerterne havde i februar 2009 besøg i Kongegaardens
Koncertsal af den unge russiske pianist Violetta Khachikian, som
begejstrede en tætpakket koncertsal med sit virtuose spil og sin
store musikalske indlevelsesevne. Hun spillede et flot, meget
vanskeligt og varieret program spændende fra Mozart til Schumann,
Ravel, Albeniz og Rachmaninov.
En koncert med
denne fremragende pianist kan på det varmeste anbefales."
Anders Bechmann Jensen
Formand for Korsør Koncerterne
Medlem af Kulturregion Midt- og Vestsjællands musikfagråd.
Honoraret er 6.000 kr. + transport i Danmark ( max. 500kr.)
Har I brug for et godt Flygel?
40 % rabat ved flygelleje hos Klaverfirmaet Juhl-Sørensen-
dvs. I kan leje et godt flygel for ca . 1500 kr. (excl. transport)
Er I
interesserede så kontakt -gerne snarest
Klaverskolen Gradus v/ Martin Lysholm Jepsen
mail: martinlysholm@hotmail.com
mobiltlf. : 26214488
I kan læse mere på Violettas hjemmeside:
www.violetta-valkova.narod.ru
se også
www.klaverskolen-gradus.dk
under aktiviteter/koncerter..
Demo-CD. kan evt. fremsendes!
Endvidere denne anbefaling fra Helsinki:
“Ultra-Violetta”
Khachikian plays herself into favourite position
"The evening
group of semi-finalists was of a
very high standard. First to play was Sofya Gulyak. This time she made
a far better impression than during the first round. The audience heard
the best performance of the compulsory work as she gave an almost
perfect performance of Joonas Pohjonen’s Bagatelles. Her Sibelius was
also warm-toned. The Mozart Sonata in C major KV 297 was the most
modest item on her programme. Although the tempos were not as fast as
in her first-round sonata, the ultimate impression was somehow neither
here nor there. Things nevertheless changed in Rakhmaninov’s Corelli
variations, which were truly the work of a titan. But Gulyak still had
an ace up her sleeve: Ravel’s La Valse. I have to say that I can’t
remember ever before witnessing such incredible virtuosity and
colourful fireworks! An absolute knock-out! How interesting it will be
to hear her play Rakhmaninov’s third. Because she’s sure to go through
to the finals.
Yoonjung Han was
like a different person in round two. No longer could
I detect the virtues she displayed in round one. From the Bach-Busoni
Chaconne onwards her playing was slightly monotonous and even the
lyrical passages sounded mundane. Her Sibelius Trees op. 75 were a
little too wooden, though the Spruce was suitably sturdy. In the Chopin
B minor Sonata she was best in the second movement, which was lively
and really well moulded. Otherwise her performance did not really take
off.
Izumi Yurino was a
pianist new to me. She is a strong-minded player
with a very sure technique. She possibly went in for almost too marked
nuances, as in, say, the Mozart Fantasia and Fugue KV 394.
Kilpiö’s “La mer, la brume et le soleil” was oddly pushy and
indeterminate, but the tone was varied. Yurino can, however, really
make the piano sing, as in the Schubert-Liszt Lieder. I particularly
liked her “Auf dem Wasser zu singen”. Sibelius’s Finlandia was suitably
rugged.
The last to perform
was Violetta Khachikian, whose performance made her
my favourite. I liked her interpretations in the first round already,
but she now somehow succeeded even better in bringing out her entire
know-how and artistic persona. She is a master of tone variety and
truly excellent at fashioning singing phrases. She immerses herself
completely in her playing and engenders the same energy in her
audience. Sibelius’s D flat major Romance sounded magnificent and the
Arabesque op. 76/9 was like concentrated insect energy. Pohjonen’s
Bagatelles were once again given a fine performance. Khachikian proved
just what a good piece Tchaikovsky’s Theme and Variations op. 19 is –
symphonic variations Russian style. The best Prokofiev in the
competition was Khachikian’s strict and holistic view of the Sarcasms
op. 17. What a bold choice to play Rakhmaninov’s transcriptions of
Kreisler’s “Liebeslied” and “Liebesfreud” in a competition! Both demand
extreme elegance and an exceptional tone culture. Khachikian had both,
and the audience rewarded her with cries of Bravo."
Risto-Matti Marin
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